Facts and Figures
Run time: 95 mins
In Theaters: Wednesday 14th April 2010
Distributed by: Sony Pictures
Production compaines: Sony International Motion Picture Production Group, Columbia Pictures
Contactmusic.com: 2.5 / 5
Rotten Tomatoes: 57%
Fresh: 20 Rotten: 15
IMDB: 6.9 / 10
Cemetery Junction Review
In the Cemetery Junction area of Reading in 1973, Freddie (Cooke) is a young guy just starting a new job selling insurance while his best friend Bruce (Hughes) still works in the local factory and their goofy pal Snork (Doolan) makes announcements at the train station. Freddie clearly has ambition, and is happy when he runs into old flame Julie (Jones), who turns out to be the fiancee of his supervisor (Goode) and daughter of the company boss (Fiennes).
But both Freddie and Julie have doubts about heading into suburban respectability.
The distinct touch of Gervais-Merchant can be heard in much of the film's lively dialog, which specialises in people comically saying the wrong thing at the wrong time. This adds to the snappy editing and jaunty tone, but starts to wear a bit thin when we realise that there's not much more to this than watching a guy trying to get his "real life" going. Sure, it's very nicely observed by the cast and crew, but it's neither original nor funny enough to be memorable.
There's also the problem that the three central characters are screenwriting-class types: nice-guy everyman Freddie, hot-headed Bruce and silly Snork. And for contrast, Julie is progressive, intelligent and sexy. All of them are well-played by the bright young cast, but Fiennes and Watson steal the show as a restrained couple who have settled for the status quo. In their eyes, we see that they know what they're missing in life, and their different responses to this give the film a provocative zing that's otherwise lacking.
The plot also slips into film-school structure as it builds to a sudden action-type climax and a big emotional finale. Ultimately this is a small movie, a relaxed and cheery bit of nostalgia that probably should have been made on a fraction of the budget. That might have added some grit and authenticity to what is otherwise a perfectly adequate, slickly made drama about growing up.