Facts and Figures

Run time: 108 mins

In Theaters: Wednesday 21st December 2011

Distributed by: Cohen Media Group

Reviews 3 / 5

Rotten Tomatoes: 63%
Fresh: 43 Rotten: 25

IMDB: 6.6 / 10

Cast & Crew

Director: David Foenkinos, Stephane Foenkinos

Producer: Xavier Rigault, Marc-Antoine Robert

Starring: Malcolm Tomlinson as Avery, Richard Morse as Jonathan, as The Virgin, David Mattia as The Estate Owner

Delicacy Review

This light-handed French film uses comedy, drama, tragedy and romance to tell a remarkably engaging story. The approach to the story is a bit off-centre, but it's the kind of film that surprises us all the way through and then leaves us with a smile on our faces.

Nathalie (Tautou) has a perfect life with her childhood sweetheart Francois (Marmai). And with a new job and a decision to start a family, the future looks bright. So when Francois dies in a sudden accident, Nathalie throws herself into work to cope. Three years later, while fending off the advances of her lecherous boss (Todeschini), she inexplicably kisses dorky coworker Markus (Damiens). And without really trying, they embark on a tentative, unexpected relationship.

A lot of the plot is fairly inexplicable, actually, as people constantly do something without thinking, reacting to some sort of internal emotional urge.

Some of these things are positive, but others are much darker, and the filmmakers somehow manage to blend a wide variety of emotional tones into the story while making it feel effortless and breezy. The heavier notes never take anything away from scenes that are lighter and sweeter, but rather deepen everything along the way.

Tautou is terrific in the central role, which is a clever twist on her usual movie persona, allowing her to give a much more layered performance than we usually see. And her chemistry with Marmai, Damiens and Todeschini is simply wonderful, as each actor brings a specific hangdog charm to the screen. But what's most intriguing is the way Damiens cleverly reveals Markus' inner soul, letting us see why Nathalie is unable to resist him when everyone else is baffled.

It's rare for a film to maintain a light tone while grappling with issues of grief and public pressure. Watching Nathalie's best friend (de Meaux) react to Markus is seriously chilling, mainly because it's so beautifully underplayed.

And this kind of subtlety infuses the entire film, worming under our skin to let us see ourselves in each character. So even if the plot feels far too constructed and obvious (a typical novelist-turned-filmmaker error), the characters keep us entertained and challenged.