Run time: 87 mins
In Theaters: Wednesday 21st February 2007
Distributed by: Samuel Goldwyn Films
Contactmusic.com: 3 / 5
Rotten Tomatoes: 65%
Fresh: 33 Rotten: 18
IMDB: 5.9 / 10
Director: Bob Goldthwait
Producer: Martin Pasetta
Screenwriter: Bob Goldthwait
Amy (Hamilton) has gone several years without talking or even acknowledging the act she performed on her dog. She's engaged to a nice, normal man named John (Bryce Johnson) and they are preparing to head to the hills of Hollywood to meet with her uptight parents. One night, while fooling around in Amy's father's car, John admits a small sexual indiscretion in the hopes of practicing full honesty in their relationship. However, when Amy admits her indiscretion to John and her junkie brother (Jack Plotnick), who is listening in, the result is not the welcoming forgiveness she was hoping for. Instead, it comes out to her parents (Geoffrey Pierson and Bonita Posehn) and their perfect perception of her gets warped, along with John's perception.
Morality doesn't hold the high ground in Goldthwait's fable. In fact, if wholesome messages are your bag, stick to the cartoons. Bobcat orchestrates what equates to a low-budget attack on what we perceive to be "the right way" and "normal." Does it matter if someone did something extremely perverse in a moment of daring? According to Goldthwait, it does indeed, and you should probably just lie about it in general.
Hamilton holds the heart of the film in her sweet delivery but the film rolls at an easy rhythm that doesn't hold with the difficult themes it grazes over (post-missionary sexuality, honesty vs. complacency). The disappointment that her father shows, specifically, almost cuts to the heart of what the film is contemplating, and Pierson's performance is just rough-and-tumble enough to pay it off. Sadly, the film stays on the periphery of the issues and never attempts to really plunge into the psychosis of these situations the way its contemporary influences did (Chasing Amy).
Sleeping Dogs Lie finds most of its charm in its bright, breezy cast and in its poppy digital work. Goldthwait isn't trying to change the world with this one, just trying to make people laugh and maybe spill his branded philosophy. If that's it, then his mission was accomplished. However, when you brandish your buttocks at the premiere of your film, as Bobcat did at a Sundance Q&A session; is it too much too suspect that you're after a bigger game than just laughs?
Well, now we know who let the dogs out.