The Straight Story

The Straight Story

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Facts and Figures

In Theaters: Wednesday 3rd November 1999

Budget: $10M

Distributed by: Buena Vista Pictures

Reviews

Contactmusic.com: 3.5 / 5

Rotten Tomatoes: 96%
Fresh: 85 Rotten: 4

IMDB: 8.0 / 10

Cast & Crew

Director:

Starring: as Alvin Straight, as Rose Straight, Jane Galloway Heitz as Dorothy, Straight's Next-Door Neighbor, Joseph A. Carpenter as Bud, Donald Wiegert as Sig, Tracey Maloney as Nurse, Dan Flannery as Doctor Gibbons, Ed Grennan as Pete, Jack Walsh as Apple, Gil Pearson as Sun Ray Tours Bus Driver, Barbara June Patterson as Woman on Bus, as Tom the John Deere Dealer, James Cada as Danny Riordan, Clermont Resident, Sally Wingert as Darla Riordan, Clermont Resident, Barbara Kingsley as Janet Johnson, Clermont Resident, Jim Haun as Johnny Johnson, Clermont Resident, Kevin Farley as Harald Olsen, as Thorvald Olsen, Leroy Swadley as Bar Patron, Ralph Feldhacker as Farmer on Tractor, as Lyle Straight, Alvin's Brother, Anastasia Webb as Crystal, as Priest

The Straight Story Review


Once you get past the fact that you're watching a G-rated David Lynch movie, "The Straight Story" is a wonderfully simple, impossible to dislike slice of warm, eccentric Americana.

A based-on-fact account of a 73-year-old retired Iowa farmer who drove a 1966 John Deere riding mower 320 miles to visit his ailing estranged brother, it's a ready-made classic allegory about regret, determination and family ties told with heart and completely unassuming honesty by one of the world's most complex filmmakers.

Lynch is known for his complicated, blunt and graphic fare ("Blue Velvet," "Twin Peaks," "Lost Highway") featuring rich visuals and deeply disturbed characters. But here he puts many of his familiar techniques to use illustrating a unique and leisurely story with his engrossing and detailed style.

The film stars 60-year film veteran Richard Farnsworth ("Comes A Horseman," "The Grey Fox") as Alvin Straight, a whiskered, wrinkled, stubborn ol' coot with smoker's lung and a bum hip who, after a decade of estrangement from his brother Lyle (Harry Dean Stanton), decides it's time to bury the hatchet after Lyle has had a stroke.

He resolves to visit Lyle, but with bad eyesight and no driver's license, he fixes on the mower as his only choice of transport. (He could probably take the bus, but there's a certain sense of repentance he's seeking with this pilgrimage).

So over the objections of his speech-impaired daughter (Sissy Spacek) -- with whom he has a tender, mutual care-taker relationship -- he builds a plywood trailer to sleep in, stocks up on weenies at the corner store and hits the road.

Lynch doesn't waste a single opportunity for panoramic shots of amber waves of grain (and grain towers, which are somehow even more beautiful). In a single take of quiet, sun-dried streets he can capture the distinct personality of a one-stoplight town. But he couldn't have made this film the treasure it is without the incomparable Farnsworth, who gives a performance deep with a lifetime of humble, homespun wisdom, as he befriends a succession of strangers -- a pregnant runaway, a fellow World War II vet with whom he swaps painful memories, a family that takes him in while he gets his brakes fixed.

If that sounds like the kind of medicinal, TV dinner fare "The Wonderful World of Disney" used to air every Sunday night when you were a kid, remember who is at the helm!

Lynch seizes on a simplicity and honesty rarely depicted in any American film in the last 50 years ("The Grapes of Wrath" comes to mind). "The Straight Story" is sentimental without being saccharine. It's proudly and distinctly American. Yet it doesn't feel old-fashioned and is peppered with the quirks and peculiarities you expect from this director -- miraculously without him hitting you over the head with them as he is normally wont to do.

Still, "The Straight Story" belongs to Richard Farnsworth, who portrays as much character and depth in one dialogue-free scene -- watching a lightning storm with Spacek through the rain-washed windows of their modest WPA-era house -- as most "movie stars" manage in their whole careers.

This is the kind of small, unexpected movie that doesn't draw crowds, but those who see it will feel privileged to have been one of the few.


Contactmusic

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The Straight Story Rating

" Good "

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