The story is oddly familiar. Erica (Jodie Foster) and David (Naveen Andrews) are a young, engaged couple looking forward to their wedding. As the epitome of happiness, the two are a borderline self-parody right off the bat. Of course, the motiveless thugs who brutally beat them are every inch their thematic foils -- hard-drinking, foul-mouthed ingrates who revel in and even videotape the trashing. Three weeks later, Erica awakes in a hospital bed to find out that her fiancée is dead, and she fights her emotional losses by dealing out her own brand of justice. All she is missing is Batman's cape and cool gadgets.
While David Cronenberg explored the nature of violence and crafted a compelling thriller with 2005's A History of Violence, director Neil Jordon is incapable of capitalizing on any thematic material that is obvious enough to slap him in the face. Within the first 20 minutes, Jordon sets himself up with two contrasting archetypes and just after that juxtaposes the ER doctors working on the broken Erica and David with the couple making love. But don't read too much into these cinematic innuendoes, because they don't add up to anything. They are quickly traded for cinematic clichés such as skewed camera angles to represent Erika's fears and the crescendoing sound of following footsteps to point out her paranoia.
By the time Erika buys an unregistered handgun for her own peace of mind, any thoughts about actually exploring the catharsis of violence are thrown out the window. Apparently, buying a gun quickly cures any fears because Erika is no longer afraid to leave her apartment in the middle of the night to go down the street to the barred-windowed convenience store and pick up a midnight snack. There, as chance would have it, an angry man with a gun comes in, and she gets her first taste of vigilante violence. It's amazing how Erika can go a lifetime without encountering any violence and within a month, come across four or five random acts of it.
Instead of showing the affect of violence, Jordon fills the gaps between Erika's gun fire with a detective (Terrence Howard) that is hot on the trail of the vigilante. Paying no attention to the more obvious, albeit safer, theme of feminism, as the androgynous Foster kills man after man, the film talks about justice for five minutes while a radio talk show takes calls from listeners about the vigilante. But it's a half-hearted attempt when Erika is justified in the end. With all the thematic false starts and missed opportunity, The Brave One boils down to violence begets violence, and says it cures all the pain of loss.
You gotta be brave to cross the police line.
Run time: 122 mins
In Theaters: Friday 14th September 2007
Box Office USA: $36.8M
Box Office Worldwide: $69.8M
Distributed by: Warner Bros. Pictures
Production compaines: Warner Bros. Pictures, Village Roadshow Pictures, Silver Pictures
Contactmusic.com: 2.5 / 5
Rotten Tomatoes: 43%
Fresh: 78 Rotten: 105
IMDB: 6.8 / 10
Director: Neil Jordon
Producer: Susan Downey, Joel Silver
Screenwriter: Roderick Taylor, Bruce A. Taylor, Cynthia Mort
Starring: Jodie Foster as Erica Bain, Terrence Howard as Detective Mercer, Nicky Katt as Detective Vitale, Naveen Andrews as David Kirmani, Mary Steenburgen as Carol, Ene Oloja as Josai, Luis Da Silva Jr. as Lee, Blaze Foster as Cash, Rafael Sardina as Reed, Jane Adams as Nicole, Gordon MacDonald as Murrow, Zoë Kravitz as Chloe, John Magaro as Ethan, Laila Liliana Garro as Shauna Nelson, James Biberi as Detective Pitney, Brian Delate as Detective O'Connor, Lenny Venito as Mortell, Carmen Ejogo as Jackie, An Nguyen as Ida Combs, Ivo Velon as James, Larry Fessenden as Sandy Combs, Jesus Ruiz as Chief of Detectives