The Searchers

0
0
Subscribe to John Wayne alerts

Facts and Figures

Run time: 119 mins

In Theaters: Tuesday 13th March 1956

Budget: $3.8M

Distributed by: Warner Bros. Pictures

Production compaines: C.V. Whitney Pictures

Reviews

Contactmusic.com: 5 / 5

Rotten Tomatoes: 100%
Fresh: 41

IMDB: 8.0 / 10

Cast & Crew

Director:

Producer: C.V. Whitney

Starring: John Wayne as Ethan Edwards, Jeffrey Hunter as Martin Pawley, Vera Miles as Laurie Jorgensen, Natalie Wood as Debbie Edwards (older), Ward Bond as Rev. Capt. Samuel Johnston Clayton, John Qualen as Lars Jorgensen, Olive Carey as Mrs. Jorgensen, Henry Brandon as Chief Cicatrice (Scar), Ken Curtis as Charlie McCorry, Harry Carey, Jr. as Brad Jorgensen, Antonio Moreno as Emilio Gabriel Fernandez y Figueroa, Hank Worden as Mose Harper, Beulah Archuletta as Wild Goose Flying in the Night Sky (Look), Walter Coy as Aaron Edwards, Dorothy Jordan as Martha Edwards, Pippa Scott as Lucy Edwards, Patrick Wayne as Lt. Greenhill, Lana Wood as Debbie Edwards (younger)

The Searchers Movie Review


When Orson Welles was asked by an interviewer who he thought were the top three American directors of all time, he simply said: "John Ford, John Ford, and John Ford." If that wasn't enough, Ingmar Bergman and Akira Kurosawa simply called Ford the best director who ever lived, American or other. However, if you were to ask most film students who directed My Darling Clementine, The Man Who Shot Liberty Valance, and The Searchers, they'd stare at you as if you asked them who was the father of tap dancing (sorry, Bojangles). Truth be told, there is a certain anti-patriotism going on in modern cinema studies, and don't get me started on the current attitude towards Westerns (most find them boring or overly chauvinistic). It doesn't matter what your attitude is; the minute The Searchers begins, it's impossible to look away.

In rural Texas, Ethan Edwards (the immortal John Wayne) returns from the Civil War, where he fought for the Confederacy. His brother and his family welcome him home, but it's obvious that there are problems between the brothers, especially when Ethan is introduced to his adopted nephew, Martin (Jeffrey Hunter), who is part Indian. While out one day, Martin and Ethan trade barbs that bring out Ethan's chilling racism, but that dissipates when they return home to find the brother's house burned down, most dead, and the two girls, Lucy and Debbie, missing. Ethan and Martin quickly find Lucy, raped and murdered, and set out to find Debbie. While they are searching, Martin falls for Laurie (Vera Miles), a white girl whose family offers them a place for the night.

They finally track Debbie (Natalie Wood) down, only to find that she has forgotten who she is and that she has become the wife of Scar (Henry Brandon). She has slept with Scar, which fires up Ethan's racism to the point that he wants to kill her instead of rescue her. It leads to a climactic battle against Scar and his people where we see the true nature of both Ethan and Martin.

John Ford, who was always a subversive S.O.B., had spent years trying to face the inherent racism that was brooding in his chosen genre, but it wasn't till this film that he really got to dig into it. Ford faced the idea that the cowboy figure didn't consider Indians a race, but more of a disease, a parasite that Scar had injected Debbie with and made her unworthy of him. He learns to accept Martin, but he never really warms to him. Where this racism was embraced as hero logic before, Ford now saw it as the deep, mortal flaw in the cowboy hero. Ford was making a radical gesture: Maybe the hero isn't perfect; maybe he's a real scumbag.

Of course, these days this doesn't sound so crazy, but the image of the cowboy hasn't been this rocked since Heath Ledg... well you know where I'm going with this. Even on a purely aesthetic level, The Searchers, shot in Arizona's Monument Valley, is a stunning piece of work, with Ford and cinematographer Winton C. Hoch using depth and layering to define the spare, haunting atmosphere of the film. The film's last shot, with Ethan framed perfectly, alone in a doorway, is the kind of imagery that never gets old and maintains its powers for centuries. Some argue that High Noon has more power and mythic subtext. Ha! That'll be the day.


Contactmusic

0
0
Subscribe to John Wayne alerts

Comments

The Searchers Rating

" Essential "

Advertisement

More John Wayne

A Little Chaos Trailer

In the palace of Versailles, a tremendous garden is maintained. One day, the builder and head gardener sees an ordinary woman arriving at the palace,...

Damien Rice - My Favourite Faded Fantasy Album Review

The solo career of Mr Rice is not one you may realistically describe as that with which you may associate a prolific output. His is...

Backstreet Boys: Show 'Em What You're Made Of Trailer

In the late 90's and early 00's, The Backstreet Boys were the most powerful boy band in the world. After discovering that they had not...

George The Poet - 1,2,1,2 (Dismantle Remix) Video

George The Poet unveils an audio for the Dismantle Remix of his single '1,2,1,2', taken from the tracks Remixes EP. The track has been produced...

Advertisement

Perfume Genius - Too Bright Album Review

Ever since the release of his debut LP 'Learning' back in 2010, Seattle's Perfume Genius has attracted increasing attention both publicly and critically. His piano...

The Boys of St. Paul's Choir School - O Come All Ye Faithful Video

The angelic voices of The Boys of St. Paul's Choir School perform a moving rendition of classic Christmas carol 'O Come All Ye Faithful'.

Jamie Scott - Last Christmas Video

Jamie Scott of London duo GRAFFITI6 performs an acoustic rendition of Wham!'s 1984 festive single 'Last Christmas' in a black and white one-take video. In...

Christina Aguilera Ft. Brian McKnight - Have Yourself A Merry Little Christmas Video

In 2000, Christina Aguilera recorded a collection of some of her favourite Christmas songs and the sessions resulted in the album 'My Kind of Christmas',...

Advertisement